Jim McGrath

Digital Humanities, Public Humanities, History, Archives, New Media and Popular Culture

Month: December 2016

“Our City”: Images of Home in Our Marathon, The Boston Bombing Digital Archive

Source: Our Marathon

Source: Our Marathon

Note: The following post is adapted from remarks I gave at the 2016 American Studies Association Conference on a panel titled “Home Screens: Digitizing Belonging and Place in American Studies.” Thanks to my fellow presenters and attendees for their participation, to Alicia Peaker and the rest of the Our Marathon project team, and to Carrie Johnston for organizing the panel.

In his remarks at an interfaith prayer service in Boston on April 18th, 2013, three days after the Boston Marathon bombings, President Barack Obama noted more than once to his audience that “Boston may be your hometown, but we claim it, too.” In the hours, days, and weeks following the events of April 15th, 2013, many people used social media to document how “at home” they feel or once felt in Boston.

I’m interested in ideas of home and digital spaces in the context of Our Marathon: The Boston Bombing Digital Archive. Our Marathon, a community project hosted by Northeastern University, is a crowdsourced digital archive of close to ten thousand stories, photos, and social media about the 2013 Boston Marathon bombings and their aftermath. I started working on it as a graduate student research assistant in May of 2013, became Project Co-Director (with Alicia Peaker, now at Bryn Mawr) in the fall of that year, and I continue to work on it as we preserve our digital assets and make them more accessible in the short and long-term via Northeastern’s Digital Repository Service.

Slide by Jim McGrath

Slide by Jim McGrath

I’m particularly interested in discussing Our Marathon and what it might tell us about home and digital regionalismhome and digital archives, and home and digital public humanities.

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Fringe, Speculative Fiction, Ideas of Order, and Indeterminacy

fringe

Editor’s Note: I’m migrating some content from older web presences onto my current site. I’m currently (December 2016) re-watching Fringe as I spend some time home for the holidays, so I wanted to re-visit this post I originally wrote back in April 2011.

Possible SPOILERS up to Season 3 of Fringe.

Fringe is one of my (many) guilty pleasures these days.  I say “guilty pleasure” because while I enjoy many elements of the show, its apparent investment in a strictly-ordered universe — most immediately present in the show’s warring alternate realities and the creepy, Powder-times-Data-divided-by-The Adjustment Bureau dudes who seem to be monitoring and / or running the show — remind me of an element of science fiction and fantasy narratives that I wish we could get beyond: The Chosen One(s) tasked with restoring order to a world that is both “broken” and capable of “fixing.”

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