Haunted Home Pages #2: The Garment District

Garment District Halloween ad on The B Line (Green Line), October 2017.
Garment District Halloween ad on Boston’s C Line (Green Line), October 2017.

Welcome to Haunted Home Pages, a semi-regular series of blog posts in which Jim McGrath spends October 2017 communicating with the internet’s afterlife via The Internet Archive’s Wayback Machine . For all the posts in this series, click here.

Boston has changed a lot since I moved here in 2003, but one thing has stayed fairly consistent: The Garment District in Cambridge has been a go-to source for Halloween costumes, and the ads it blankets the T with each year promoting its wares (and wears) are always instant time capsules for the year’s pop cultural touchstones, memes, and monsters. I thought it would be fun to take a tour through the shop’s home page over the years to see what we might learn from the ghosts and garments of Halloween Past!

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Haunted Home Pages (#1): Stephen King

The Official Stephen King Web Presence (2000)
The Official Stephen King Web Presence (March 2000)

Welcome to Haunted Home Pages, a semi-regular series of blog posts in which Jim McGrath spends October 2017 communicating with the internet’s afterlife via The Internet Archive’s Wayback Machine . For all the posts in this series, click here.

I wanted to kick off Haunted Home Pages with a look back at The Master of Horror, Stephen King. I went through a huge King phase back in junior high and high school, and I will provide an embarrassing image of myself from this period to prove just how into King I was back then!

Jim McGrath, Stephen King fan (Christmas 1996)

The Wayback Machine has entries for stephenking.com stretching back to November of 1998, but this March 2000 cached page is the first one I found to provide a clear vision of the author’s “web presence.” We’re greeted with a static home page that visualizes the site’s architecture as a large circle with a smaller one devoted to “Links” orbiting it (half of the larger home planet of All Things King is dedicated to a timeline, while the other half covers a range of topics about the author).

The section dedicated to “rumors” is disappointing to gossip hounds (like me) since it’s primarily about fan correspondence and autograph policies, though there is a question about an alleged haunted house run by King on Halloween (“this is not true and never has happened.”). “the man” is a biography of King (co-authored by Tabitha King, his wife) spread across a number of individual pages: each page has about a paragraph of text on it and includes a link to a printer-friendly version. There’s also a brief note about a 1999 appearance by King on Dateline that apparently led to fan concerns that the author was “unable to write”: this note isn’t clearly dated on the home page, which seems to aspire to the “endless present” of static home pages then and now.  King’s site in this incarnation was “designed, maintained, and hosted” by i-forge Design Factory, a company whose own home page from this period is sadly hidden from the Wayback Machine by robots.txt.

THE PLANT, an unfinished serial narrative King began selling on his personal web site in 2000.
THE PLANT, an unfinished serial narrative King began selling on his personal web site in 2000.

The next major transformation of King’s personal web site comes in 2000, when the author decided to add a “downloads” section in order to sell The Plant, “an epistolary novel set in the 1980s (before email, in other words, and when even the fax was a fringe technology).” As the  project’s Wikipedia article notes, King would never complete the novel, but it was a fascinating experiment in self-publishing via electronic means, especially given the author’s stature and his commitment to transparency. You can read what was completed on The Plant, as well as commentary from King during and after this publishing experiment, on the current “live” version of the author’s site, free of charge.

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“Our City”: Images of Home in Our Marathon, The Boston Bombing Digital Archive

Source: Our Marathon
Source: Our Marathon

Note: The following post is adapted from remarks I gave at the 2016 American Studies Association Conference on a panel titled “Home Screens: Digitizing Belonging and Place in American Studies.” Thanks to my fellow presenters and attendees for their participation, to Alicia Peaker and the rest of the Our Marathon project team, and to Carrie Johnston for organizing the panel.

In his remarks at an interfaith prayer service in Boston on April 18th, 2013, three days after the Boston Marathon bombings, President Barack Obama noted more than once to his audience that “Boston may be your hometown, but we claim it, too.” In the hours, days, and weeks following the events of April 15th, 2013, many people used social media to document how “at home” they feel or once felt in Boston.

I’m interested in ideas of home and digital spaces in the context of Our Marathon: The Boston Bombing Digital Archive. Our Marathon, a community project hosted by Northeastern University, is a crowdsourced digital archive of close to ten thousand stories, photos, and social media about the 2013 Boston Marathon bombings and their aftermath. I started working on it as a graduate student research assistant in May of 2013, became Project Co-Director (with Alicia Peaker, now at Bryn Mawr) in the fall of that year, and I continue to work on it as we preserve our digital assets and make them more accessible in the short and long-term via Northeastern’s Digital Repository Service.

Slide by Jim McGrath
Slide by Jim McGrath

I’m particularly interested in discussing Our Marathon and what it might tell us about home and digital regionalismhome and digital archives, and home and digital public humanities.

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