Welcome to Haunted Home Pages, a semi-regular series of blog posts in which Jim McGrath spends October 2017 communicating with the internet’s afterlife via The Internet Archive’s Wayback Machine . For all the posts in this series, click here.
I wanted to kick off Haunted Home Pages with a look back at The Master of Horror, Stephen King. I went through a huge King phase back in junior high and high school, and I will provide an embarrassing image of myself from this period to prove just how into King I was back then!
The Wayback Machine has entries for stephenking.com stretching back to November of 1998, but this March 2000 cached page is the first one I found to provide a clear vision of the author’s “web presence.” We’re greeted with a static home page that visualizes the site’s architecture as a large circle with a smaller one devoted to “Links” orbiting it (half of the larger home planet of All Things King is dedicated to a timeline, while the other half covers a range of topics about the author).
The section dedicated to “rumors” is disappointing to gossip hounds (like me) since it’s primarily about fan correspondence and autograph policies, though there is a question about an alleged haunted house run by King on Halloween (“this is not true and never has happened.”). “the man” is a biography of King (co-authored by Tabitha King, his wife) spread across a number of individual pages: each page has about a paragraph of text on it and includes a link to a printer-friendly version. There’s also a brief note about a 1999 appearance by King on Dateline that apparently led to fan concerns that the author was “unable to write”: this note isn’t clearly dated on the home page, which seems to aspire to the “endless present” of static home pages then and now. King’s site in this incarnation was “designed, maintained, and hosted” by i-forge Design Factory, a company whose own home page from this period is sadly hidden from the Wayback Machine by robots.txt.
The next major transformation of King’s personal web site comes in 2000, when the author decided to add a “downloads” section in order to sell The Plant, “an epistolary novel set in the 1980s (before email, in other words, and when even the fax was a fringe technology).” As the project’s Wikipedia article notes, King would never complete the novel, but it was a fascinating experiment in self-publishing via electronic means, especially given the author’s stature and his commitment to transparency. You can read what was completed on The Plant, as well as commentary from King during and after this publishing experiment, on the current “live” version of the author’s site, free of charge.