Category: Personal Computing

  • Dance Like Somebody’s Watching: Alexandria Ocasio-Cortez and Forms of Digital Expression

    Screenshot from a Lisztomania / Brat Pack mashup video uploaded to YouTube

    As a Boston University undergraduate, “Sandy” Ocasio-Cortez joined other students in making a “Lisztomania Brat Pack mashup” video, a short film that was locally used as a promotional video for the Howard Thurman Center for Common Ground (and, according to its director, broadcast on TVs across campus) but also uploaded to YouTube in September 2010, joining many other professional and homemade variations of a mashup between Phoenix and The Breakfast Club that was posted by “AvoidantConsumer” in 2009. This video resurfaced on Twitter less than one day into Congresswoman Alexandria Ocasio-Cortez’s tenure, dug up from the past in an odd and ultimately ineffective attempt at shaming the popular progressive politician (though there are certainly vocal users of social media who believe that the film is a record of her limitations and flaws).

    As far as digital records of college behavior go, it’s extremely innocuous. But it is an interesting object of analysis for folks interested in media history and archaeology, as Parker Higgins effectively documented on Twitter on the same day the video resurfaced. And the reception to the video in 2019 offers an interesting glimpse at where and how the long histories of social media, viral content, remix culture, and the professionalization of the web are going to be studied, remembered, and archived. I wanted to think out loud about some of these implications here.

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  • GIF Today, Gone Tomorrow: Intellectual Property, Digital Curation, and Professional Wrestling

    the heartbreak n00b
    the heartbreak n00b

    The weekend of August 19-21 was pretty busy for professional wrestling fans. WWE set up shop at the Barclays Center for not one, but two major shows: NXT Takeover: Brooklyn II, a showcase for its “minor league” developmental brand, and SummerSlam, one of the main roster’s biggest events of the year. There was a ton of exciting in-ring action: the  “Glorious” debut of Bobby Roode, Charlotte’s reclaiming of the WWE Women’s Championship from “The Boss” Sasha Banks, “The Phenomenal One” A.J. Styles beating up John Cena, the brutal and bloody (and, it turns out, completely staged, though some wrestlers were as fooled as fans were) outcome of a showdown between “The Viper” Randy Orton’s head and the meat-tenderizing hands of The Beast Incarnate, Brock Lesnar. But outside the ring, another story began circulating online: Twitter accounts @deathtoallmarks (DTAM), @SenorLariato, and @WrestlinGifs, three of online wrestling fandom’s main sources for “live GIFs” (fan-created GIFs of wrestling-related content that appeared online during live telecasts), had been suspended.

    Screen Shot 2016-08-24 at 11.38.01 AM

    After moving operations over to a secondary account on Monday, Lariato noted that Twitter’s decision was made in response to DMCA complaints about several SummerSlam GIFs. Lariato said that Friend MTS, a UK-based “global provider of platform, channel, and content protection services,” was the apparent source of the objections (WWE initially denied making the complaints to at least one journalist, but wrestling journalist Dave Meltzer claims the company is behind the suspensions and that they were motivated by SummerSlam content). Several wrestlers tweeted about the removal of these prominent wrestling GIF-providers, including WWE Superstars  Xavier Woods and Big E, former WWE superstar (and current TNA megastar) Matt Hardy, and Bullet Club tag team sensation The Young Bucks. Echoing many fans, Matt Jackson of The Bucks argued that the act of “live-GIF’ing” is not just an essential component of online wrestling fandom, but also a key tool of “any [form of] entertainment” invested in social media engagement.

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